
Anne Mondro | Detroit's Shadow, 750 x 500 x 500 mm, thin steel and copper wire crochet | image: Patrick Young
134 artists from 20 countries unleash their passion for lace in this spectacular exhibition of winning entries and finalists in the Powerhouse Museum International Lace Award.

Shane Waltner | Another World Wide Web, 1500 mm (approx), Shetland lace knitting using shirring elastic | photo: Marinco Kojdanovski
Lace offers the mystery of concealment and the subtle interplay of space, light and shadows. Its layering can enhance the human body and create alluring effects in interior design and architecture. Though lace is usually associated with textiles, curator Lindie Ward broadened the definition of lace to include any ‘openwork structure whose pattern of spaces is as important as the solid areas’.
The exhibition ranges from bold large-scale installations and sculptures to intricate textiles and jewellery. Materials include gold and silver wire, linen and silk as well as mulberry paper, tapa cloth, horse hair, titanium and optical fibre.

Kim Lieberman | Tribe, 300 x 150 x 80 cm, bronze figures with bobbin lace
See and read more on the museum’s website.
Love Lace runs until April 2012 at the Powerhouse Museum in Sydney, Australia.
Links to artists in this post: Anne Mondro, Shane Waltner + Kim Lieberman







